projection

Entering the Art Gallery of NSW to view the Anne Landa Award exhibition – the first Australian award for moving image and new media artists – I come upon what I think is one of the works. (more…)

The following article about the influence of game engines on contemporary, experimental cinema can be summarised in two points: (more…)

This issue of Filter is brought to you by ANAT’s Embracing Sound [ES] Program, in partnership with Art Monthly Australia. Here you will find teasers of articles as contained within the AMA issue (for the full articles visit www.artmonthly.org.au and subscribe), and we present to you exclusive online access to the Art of Sound DVD commissioned works content…. (more…)

ANAT’s core mission is to actively support the field of media arts in Australia by taking a leading role in shaping the environment in which media arts practice exists. (more…)

Widespread enabling technologies and a few decades of community infiltration by VJs1 has bred small armies of garage laptoppers, artschoolers and youtubers all adept at manipulating video in real-time. A few subcategories can help surveying such an amorphous field. (more…)

Classification Pending is a permanent public artwork in the Bremer River, Ipswich Parklands, Queensland with modified versions also appearing temporarily in the canvases of the Ooka River (Yokahama) and The Thames (London). (more…)

The dome of the sky is one of the most influential objects on the evolution of human thought. (more…)

When was the last time you held a building in your hand? Project Blinkenlights enables viewers to do just that, only they must bring their mobile phones. (more…)

The Living Screen is a moving image installation by Bio-Kino (Tanja Visosevic, Guy Ben-Ary and Dr. Bruce Murphy) that anticipates a new interplay between spectator and screen. (more…)

In the short time span of a few months the media landscape of Los Angeles has undergone a major transformation:
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