The Australian Network for Art and Technology (ANAT) is pleased to announce the successful recipients of the 2010 Synapse Residency program – a core element of the Synapse initiative of the Australia Council for the Arts and ANAT, which has enabled collaboration between artists and scientists since 2004.
The Synapse initiative supports creative partnerships between scientists and artists through the residency program, a database of international art/science collaborations, an archived discussion list and the Australian Research Council (ARC) Linkage program, which supports longer-term partnerships between artists and scientists in academic research settings.
ANAT, in continuing its commitment to artistic innovation, is pleased to announce that five Australian artists have been awarded Synapse residencies for 2010:
Robin Fox. Image by Lasse MArhaug.
Robin Fox + Bionic Ear Institute (Melbourne, Australia)
Whilst cochlear implants have been remarkably successful in restoring speech perception, they present an issue in music appreciation for implant users. Robin Fox, one of Australia’s leading audio-visual, sound and computer music artists, will work with researchers from the Bionic Ear Institute’s Music and Pitch Project Team to create musical compositions tailored specifically for implant users. The collaboration will allow Fox to further his research into audio-visual equivalence by conducting a series of experiments investigating whether visual stimuli accompanying sound can increase the musical experience for the hearing impaired.
Chris Henschke, Synchrotron Light Study (2008)
Chris Henschke + Australian Synchrotron (Melbourne, Australia)
In 2007, artist Chris Henschke completed a residency at the Australian Synchrotron, supported by Arts Victoria’s Innovation Residency program and ANAT. Following this, he continued to build his understanding of the facility and strengthened his relationships with the resident scientists, a process that has informed this project. ‘Lightbridge’ aims to create an audio-visual interface to explore the nature of the synchrotron’s ‘tune’ – what scientists call the complex frequency harmonics generated from the synchrotron’s beam status and position data – and to make this real-time data available to other artists and researchers.
Erica Seccombe, 'Micro 3D XCT mung bean sprouting, two frames from bean to sprout' data collected 2010, ANU Department of Applied Mathematics.
Erica Seccombe + Department of Applied Mathematics, Australian National University (Canberra, Australia)
Visual artist, Erica Seccombe will work with experimental and theoretical scientists from the Department of Applied Mathematics on a collaboration that will assist towards understanding the complex interrelationship of mechanical 3D components of physical objects and balancing visual density with information content. A complementary and concurrent focus on the visualisation and animation of complex datasets also promises to contribute to Seccombe’s long-term research project looking at the influence of scientific technology on visual media and contemporary art, as well as producing a wealth of material for use in future artworks.
How do we know what we're looking at? Box-Jellyfish have no Brains Project, 2009.
Meredith Walsh + Pier Luigi Luisi Synthetic Biology Laboratory (Rome, Italy)
The primary research undertaken at the Pier Luigi Luisi Lab is an investigation into the self-organisation and self-reproduction of chemical and biological systems within ‘origins of life’ and cell model frameworks; in particular, the Lab uses random DNA sequencing to modify protein structure and synthesise new proteins. UK-based artist, Meredith Walsh, wants to take this a full step further: rather than relying on random selection, she intends to modify proteins using aesthetic criteria to question the ways in which the design and modification of proteins can alter their architecture and expression and, more broadly, to address the ethical implications of designing new biological systems.
Ken Yonetani, 'Sweet Barrier Reef', as shown at the 2009 Venice Bienniale
Ken & Julia Yonetani + Sunrise 21 +The Murray-Darling Freshwater Research Centre (Mildura, Australia)
Visual artists, Ken and Julia Yonetani will use the residency to further their practice of collaborating with scientists to produce outstanding works engaging with the fragility of the environment. Their recent collaboration with the Australian Institute of Marine Science resulted in the work Sweet Barrier Reef, which represented Australia at the 2009 Venice Bienniale. The Water Memory project focuses on water as life-force and carrier of the ‘memory’ of all living entities -past, present and future. Sunrise 21’s expertise in advanced digital mapping and the Freshwater Research Centre’s work on water quality and ecology will enable a research engagement ranging from the microscopic to the macroscopic ‘big picture’.
ANAT’s Program Manager Vicki Sowry comments, ‘…Artists and scientists approach creativity, exploration and research in different ways and from different perspectives; when working together they open up new ways of seeing, experiencing and interpreting the world around us’.
Andrew Donovan, Inter-Arts Director at the Australia Council for the Arts notes, ‘…Each of the Synapse residencies demonstrates an exciting and genuine collaboration between artists and scientists. They create awareness that artists can contribute to the building of new knowledge in disciplines well beyond those we’d normally associate with artistic practice’.
For further information, please contact Vicki Sowry, +(61) 8 8231 9037, [email protected], or visit www.synapse.net.au
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Australia.