Issue 74

“The future has already arrived. It’s just not evenly distributed yet.” William Gibson (more…)

In our current financial climate, being a successful artist also means being a successful micro business offering something unique. (more…)

It should not be a surprise to anyone working in the arts that artists face a greater degree of uncertainty over their incomes and careers than other professionals. (more…)

Sarah Langston caught up with Sydney screen printer Kate Banazi on how diving into the online sea helps to make ends meet and find new audiences. (more…)

In this interview with Douglas Repetto from dorkbot’s mothership New York City (NYC), we learn how they achieve sustainability through flexibility and compare this perspective to the newly formed Perth chapter who are taking a more commercial approach. (more…)

Mari Velonaki (artist/researcher) and David Rye (roboticist) from the Centre for Social Robotics give us their perspective on ensuring that the CSR has a model that supports and sustains their research, and allows them scope to continue their future-looking work.

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Can the arts lead the way with new technologies? In this extract from their ‘Not rocket science’ report, Hasan Bakhshi, Radhika Desai and Alan Freeman argue that the arts can and should. (more…)

The Australian Network for Art and Technology (ANAT) is pleased to announce the successful recipients of the 2010 Synapse Residency program (more…)