media arts festivals
In March this year with ANAT’s assistance I travelled to China for the first Dashanzi International Art Festival in Beijing. Initially the invitation to the festival was to show my work Close in the Transborder Language 2004 – Volume Control component of the festival. With ANAT’s support I extended the scope of the trip to include preliminary research for a sound art project in China. (more…)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Australia.
First stop is Linz and Ars Electronica 2007. One minute I’m having lunch with a group of festival attendees, the next I’m in a taxi rushing back to my hostel, all the while attempting to explain my new mission as ANAT’s international roving reporter – in my minimal German – to the somewhat bemused taxi driver. (more…)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Australia.
The instincts of ARS Electronica Director, Gerfried Stocker, are difficult to argue with. In every era, ARS (set along the Danube in Linz, Austria) seeks to curate, interrogate, and re-deploy an idea as big as the world – in five days or less. (more…)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Australia.
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