Filter Magazine

Issue 67

UR Space

June 5th, 2009

When we look at spaces designated for creative expression in our culture they are generally neatly delineated, tightly packaged, copyright protected and demographically assigned. (more…)

June 5th, 2009

The ways in which we interpret public space and its contents vary considerably across the globe, as it is occupied by a myriad of inherent and overt visual content. (more…)

June 5th, 2009

A flicker of movement is caught by a static camera. A hooded figure enters, clinging to walls. The CCTV camera pans out, catches a second figure vaulting an obstacle, zooms in again. Running, jumping, a blur of fluid motion. (more…)

June 5th, 2009

While the practices of street art and new media seem poles apart, they’ve in fact been running parallel tracks for well over a decade. (more…)

June 5th, 2009

Spelt out in illuminated red diodes, the words “I imagine the conditions in Iraq are totally unimaginable” flashed across the LED sign. (more…)

June 10th, 2009

Graffiti is a medium that affords visibility; it is supposed to be seen.  (more…)

June 17th, 2009

STEP 1: Stop asking permission from law-enforcement officers, city officials, (but feel free to take their $$$$$). (more…)

September 4th, 2009

Graffiti is a very serious crime. More serious than armed robbery. More grievous than murder. More grim than biting the heads off baby chickens! Well, perhaps not in real life, but in my world it is. (more…)

September 4th, 2009

As part of the art research science program encouraging collaboration between artists, scientists and researchers, ANAT will be moderating a discussion list throughout 2008. (more…)

September 4th, 2009

There is no doubt about the breadth of effect the mobile phone (a small disrupter with a widespread impact) is having on creative fields and social practices. (more…)

September 4th, 2009

For many reasons it was with trepidation that I recently accepted the position of Program Manager for the Embracing Sound [ES] Program with ANAT. Although a potentially negative opening for my initial article in the role, my trepidation is under the most positive of circumstances; primarily being the immense respect I hold for Australian sound art and its practitioners. (more…)

September 4th, 2009

The journey continues south west to…It’s Simply Beautiful, LABoral, Gijón, Spain (more…)

September 4th, 2009

Stunning and evoking public art interventions…. (more…)

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