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	<itunes:summary>Art, Science and Technology - and everything inbetween...</itunes:summary>
	<itunes:author>Filter</itunes:author>
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		<title>Filter &#187; technology</title>
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		<item>
		<title>From the editor</title>
		<link>http://filter.org.au/in-other-words/arcadia/from-the-editor/</link>
		<comments>http://filter.org.au/in-other-words/arcadia/from-the-editor/#comments</comments>
		<pubDate>Tue, 23 Mar 2010 04:33:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Arcadia]]></category>
		<category><![CDATA[philosophy]]></category>
		<category><![CDATA[science]]></category>
		<category><![CDATA[spiritual reflection]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[theology]]></category>
		<category><![CDATA[transcendence]]></category>

		<guid isPermaLink="false">http://filter.anat.org.au/?p=4474</guid>
		<description><![CDATA[Ancient Greek architects devised arcades to support aqueducts and sheltered walkways between buildings. The alcoves beneath each archway provided a proscenium for the entrance to performance arenas, market stalls and public orators.Early Christian monasteries influenced by Roman (and thus Ancient Greek) architecture, built arcades around courtyards, gardens and as rooftop shelters for strolling monks that [...]]]></description>
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		<item>
		<title>Ars Electronica 2003</title>
		<link>http://filter.org.au/issue-56/ars-electronica-2003/</link>
		<comments>http://filter.org.au/issue-56/ars-electronica-2003/#comments</comments>
		<pubDate>Thu, 18 Mar 2010 00:07:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Issue 56]]></category>
		<category><![CDATA[ars electronica]]></category>
		<category><![CDATA[electronics]]></category>
		<category><![CDATA[experimental opera]]></category>
		<category><![CDATA[robotics]]></category>
		<category><![CDATA[source code]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://filter.anat.org.au/?p=4528</guid>
		<description><![CDATA[Ars Electronica was my first international new media festival and a blast on many levels which started even before I&#8217;d landed. As I was reading the program on the plane somewhere between Canada and Europe, I looked out of the window and saw laid out in the landscape, a giant circuit board in the pattern [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Fish-Bird: Autonomous Interaction in a Contemporary Arts Setting</title>
		<link>http://filter.org.au/issue-56/fish-bird-autonomous-interaction-in-a-contemporary-arts-setting/</link>
		<comments>http://filter.org.au/issue-56/fish-bird-autonomous-interaction-in-a-contemporary-arts-setting/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 01:10:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Issue 56]]></category>
		<category><![CDATA[art science collaborations]]></category>
		<category><![CDATA[interactive installations]]></category>
		<category><![CDATA[robotics]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://filter.anat.org.au/?p=4368</guid>
		<description><![CDATA[The multifaceted and whimsical collaborative art and science project Fish-bird created by Dr Mari Velonaki, an interactive media artist, and her three colleagues at The Australian Centre for Field Robotics, Drs David Rye, Steve Scheding and Stefan Williams &#8211; all three are roboticists- is a fine testament to the fact that art and science can [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Liquid Architecture</title>
		<link>http://filter.org.au/issue-57/liquid-architecture/</link>
		<comments>http://filter.org.au/issue-57/liquid-architecture/#comments</comments>
		<pubDate>Thu, 11 Mar 2010 05:40:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Issue 57]]></category>
		<category><![CDATA[arts festival]]></category>
		<category><![CDATA[experimental music]]></category>
		<category><![CDATA[experimental sound]]></category>
		<category><![CDATA[Liquid Architecture]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://filter.anat.org.au/?p=4294</guid>
		<description><![CDATA[Melbourne’s festival of sound art, Liquid Architecture, originated in 2000 at RMIT University, when RMIT’s Union Arts offered the ((tRansMIT)) student sound collective the chance to stage a festival promoting the talents of ((tRansMIT)) members. Since then, Liquid Architecture has grown to the point where it is now attracting top-line international guests, while still holding [...]]]></description>
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		<title>Member Profile John Tonkin</title>
		<link>http://filter.org.au/issue-63/member-profile-john-tonkin/</link>
		<comments>http://filter.org.au/issue-63/member-profile-john-tonkin/#comments</comments>
		<pubDate>Fri, 31 Jul 2009 05:30:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[ANAT Member Profile]]></category>
		<category><![CDATA[Issue 63]]></category>
		<category><![CDATA[body and indentity]]></category>
		<category><![CDATA[ISEA]]></category>
		<category><![CDATA[media arts]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[ZeroOne]]></category>

		<guid isPermaLink="false">http://filter.anat.org.au/?p=1815</guid>
		<description><![CDATA[John Tonkin is a Sydney based artist. His works have included explorations into historical and contemporary ideas relating to the body and identity, the subjective nature of scientific theories and belief systems, and ongoing investigations into interactivity and play. Mimi Kelly: Would you like to describe the current project you are working on? John Tonkin: [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>A lapidary destiny</title>
		<link>http://filter.org.au/issue-64/a-lapidary-destiny/</link>
		<comments>http://filter.org.au/issue-64/a-lapidary-destiny/#comments</comments>
		<pubDate>Wed, 29 Jul 2009 02:13:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Issue 64]]></category>
		<category><![CDATA[copright software]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[wearable technology]]></category>

		<guid isPermaLink="false">http://filter.anat.org.au/?p=1720</guid>
		<description><![CDATA[When computers are discussed in a craft context, someone usually makes the statement that ‘technology is just a tool’. This proposition is offered as a demystifying gesture, enabling us to focus on what the technology actually does rather than the dreams we might invest in it. It asserts the primacy of the craft project, which [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Live Vidi-Yo: Snapshots from OZ 2007</title>
		<link>http://filter.org.au/issue-66/live-vidi-yo-snapshots-from-oz-2007/</link>
		<comments>http://filter.org.au/issue-66/live-vidi-yo-snapshots-from-oz-2007/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 04:40:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Issue 66]]></category>
		<category><![CDATA[embryonic audiovisual sequencing in 3D game engines]]></category>
		<category><![CDATA[handmade film]]></category>
		<category><![CDATA[live video collages]]></category>
		<category><![CDATA[projection]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[visualists]]></category>
		<category><![CDATA[VJs]]></category>

		<guid isPermaLink="false">http://filter.anat.org.au/?p=1095</guid>
		<description><![CDATA[Widespread enabling technologies and a few decades of community infiltration by VJs1 has bred small armies of garage laptoppers, artschoolers and youtubers all adept at manipulating video in real-time. A few subcategories can help surveying such an amorphous field. Visual Synthesis The creation and manipulation of moving imagery in real-time, is pleasurably pursued by most [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>[PP] Portable Perspectives</title>
		<link>http://filter.org.au/issue-69/portable-perspectives/</link>
		<comments>http://filter.org.au/issue-69/portable-perspectives/#comments</comments>
		<pubDate>Thu, 04 Jun 2009 12:30:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Issue 69]]></category>
		<category><![CDATA[[PP] Portable Platforms]]></category>
		<category><![CDATA[ANAT]]></category>
		<category><![CDATA[interactive]]></category>
		<category><![CDATA[mobile]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[portable]]></category>
		<category><![CDATA[technology]]></category>

		<guid isPermaLink="false">http://filter.anat.org.au/?p=724</guid>
		<description><![CDATA[A project like Portable Worlds reaches people in different ways. Our intention when publishing a &#8216;call for work&#8217; is to inspire the creation of a new work, or bring a new audience to existing work. The workshops aim to give school children a new experience, an empowerment against homogeneous mobile &#8216;personalisation&#8217;, and provide a new [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>21st Anniversary</title>
		<link>http://filter.org.au/issue-70/21st-anniversary/</link>
		<comments>http://filter.org.au/issue-70/21st-anniversary/#comments</comments>
		<pubDate>Tue, 17 Feb 2009 15:12:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[ANAT Reports]]></category>
		<category><![CDATA[Issue 70]]></category>
		<category><![CDATA[21st]]></category>
		<category><![CDATA[ANAT]]></category>
		<category><![CDATA[anniversary]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[Filter]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[technology]]></category>
		<category><![CDATA[website]]></category>

		<guid isPermaLink="false">http://anthony.anat.org.au/filtersandbox/?p=16</guid>
		<description><![CDATA[Dr. Melinda Rackham celebrates the 21st Anniversary of ANAT, and discusses emerging technologies in the realm of the portable screen.]]></description>
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