audiovisual

The following article about the influence of game engines on contemporary, experimental cinema can be summarised in two points: (more…)

The theoretical writing about sound comes in many forms and covers many different contexts. The role of sound in film, arts, media and everyday life has been analysed using a wide range of techniques and approaches. (more…)

Sound fills the art world. Upon entering almost any contemporary gallery space we hear sound emanating from TV monitors, projection spaces, computers, and in headphones, not to mention the echoes of voices and footsteps. (more…)

This issue of Filter is brought to you by ANAT’s Embracing Sound [ES] Program, in partnership with Art Monthly Australia. Here you will find teasers of articles as contained within the AMA issue (for the full articles visit www.artmonthly.org.au and subscribe), and we present to you exclusive online access to the Art of Sound DVD commissioned works content…. (more…)

For many reasons it was with trepidation that I recently accepted the position of Program Manager for the Embracing Sound [ES] Program with ANAT. Although a potentially negative opening for my initial article in the role, my trepidation is under the most positive of circumstances; primarily being the immense respect I hold for Australian sound art and its practitioners. (more…)

The work of German artist Carsten Nicolai encompasses electronic sound/music performance and mixed media installation. (more…)